Growing Spotify listeners as an Afrobeats artist

Updated 5 October 2026 · 2 min read

Afrobeats is one of the most globally distributed genres on streaming, and its audience sits far from where many of its artists are based. That distance shapes everything about how you pitch.

Where the audience is

Listenership is spread across West Africa, the UK, North America and increasingly Latin America and continental Europe, with large diaspora communities carrying the genre into markets that have no domestic scene for it.

Practically, that means your listener geography matters more than your local following, and you should read your own country breakdown before choosing who to pitch.

What curators want

Curators in this space are looking for production quality and a clear rhythmic identity more than a genre tag, because the label covers an enormous range of sounds. Describe the tempo, the percussion and the closest reference rather than simply writing Afrobeats.

Pitch curators in the markets your data already shows, including diaspora-heavy cities, and approach specialist radio shows and blogs that cover African music rather than general world-music lists.

The mistake to avoid

Assuming the genre label does the work. Sending an identical message to every African-music contact produces nothing; a line about the specific scene or city you belong to is what makes the pitch credible.

Frequently asked questions

Why are my listeners abroad?

Diaspora listening and genre editorial both travel. It is common for Afrobeats artists to have larger audiences outside their home market.

Which curators should I approach?

Those covering African music specifically, plus regional and diaspora-focused radio and blogs in the markets your data shows.

Should I sing in English or a local language?

Both are commercially viable. What matters more is that the pitch explains the record to someone who does not speak the language.